Honestly, to have the man who managed the great Robert Jordan and (one of my favourite authors of all time) Iain Banks, praise my work, has been a huge boost. John said he could see the “imagination and intelligence” in the opening chapters of A Better Crown but couldn’t represent me because he didn’t love the book which is fair enough; he doesn’t want to market a book he doesn’t wholeheartedly adore and I wouldn’t want that either.
Querying literary agents, letting family read your work and why lockdown has gutted my creativity
There is this strange time cloud hanging over me with each submission: how long does it take to read my three chapters? If it takes longer for them to reject me is that better? Does it mean my idea is good but my writing is crap? There are so many varying dimensions to this game. I will just have to keep you informed as the replies, and rejections, rumble in.
2021 Update: Draft three, the creek of ideas and development
A Better Crown now has several very diligent and very enthusiastic beta readers rifling through it. With their feedback, and another round of editing on my part; the third, and hopefully, final draft is well underway. Earthguard is in place, the plotline is rigid, the characters are set. A few edges need to be softened and a few corners rounded, but then it should all be done.
Finishing draft two, feedback and planning a book sequel
The Costa Coffee Short Story Awards, more editing and mapping your fantasy world
Finally getting published, editing your fantasy WIP and doubting your own work
A welcome, dreams into short stories and finishing your damn book
I hope you can come to enjoy something on this and if you don’t, well, I still really appreciate you dropping by. I do. Being willing to explore someone’s art is one of the best things you can ever do, because, even if you hate it, you bothered to find out if you hated it or not. It’s a valuable thing to do.